Natalya Zaloznaya was born in Minsk, Belarus. She graduated from the Belarusian Academy of Arts in 1985. In 1997, Natalya was granted two European traineeships sponsored by the KulturKontakt Foundation in Vienna, Austria, and Künstlerhaus Boswil in Switzerland.
Since 2000, Natalya has been living and working in Brussels, Belgium, and Minsk, Belarus. In 2005, her work was exhibited at the 51st Venice Biennale.
She frequently participates in Artist-in-Residence programmes, including the VI International Symposium Alanika in Vladikavkaz, North Ossetia, in 2012, and the Mark Rothko Artist-in-Residence programme in Daugavpils, Latvia, in 2013.
Natalya Zaloznaya’s work has been extensively exhibited in Europe and the United States. Her works are held by the State Tretyakov Gallery in Moscow, the National Art Museum of Belarus, the National Centre for Contemporary Arts of the Republic of Belarus in Minsk, and numerous private collections worldwide.
2021 — Present Imperfect, Gallery A&V, Minsk, Belarus
2020 — Delight, Lilja Zakirova Gallery, Heusden, The Netherlands
2018 — Freeze Frame, Zedes Art Gallery, Brussels, Belgium
2018 — Flash Back, Lilja Zakirova Gallery, Heusden, The Netherlands
2017 — Escape, Gallery A&V, Minsk, Belarus
2017 — Escape, 11.12 Gallery, Moscow, Russia
2016 — The Theater of the Collective Gesture, Dukley Art Center, Kotor, Montenegro
2016 — The Theater of the Collective Gesture, Zedes Art Gallery, Brussels, Belgium
2015 — Lilja Zakirova Gallery, Heusden, The Netherlands
2014 — A La Dérive, Galerie Espace Blanche, Brussels, Belgium
2014 — Present Continuous, 11.12 Gallery, Moscow, Russia
2014 — Artaban Gallery, Paris, France
2013 — De Twee Pauwen Gallery, The Hague, The Netherlands
2011 — Lilja Zakirova Gallery, Heusden, The Netherlands
2010 — Group 2 Gallery, Brussels, Belgium
2010 — Colourblind Gallery, Cologne, Germany
2010 — Museum of Contemporary Art, Minsk, Belarus
2010 — Lilja Zakirova Gallery, Heusden, The Netherlands
2009 — Gallery De Twee Pauwen, The Hague, The Netherlands
2008 — Gallery Volga, Moscow, Russia
2008 — Group 2 Gallery, Brussels, Belgium
2008 — Lilja Zakirova Gallery, Heusden, The Netherlands
2007 — Gallery De Twee Pauwen, The Hague, The Netherlands
2007 — Ludwig Lefevere Gallery, Knokke-Zoute, Belgium
2007 — Lilja Zakirova Gallery, Heusden, The Netherlands
2006 — Golden Landscape, Group 2 Gallery, Brussels, Belgium
2006 — Lilja Zakirova Gallery, Heusden, The Netherlands
2005 — Group 2 Gallery, Brussels, Belgium
2005 — Spectrum Gallery, London, UK
2005 — Lilja Zakirova Gallery, Heusden, The Netherlands
2004 — Gertsev Gallery, Atlanta, USA
2004 — Royden Prior Gallery, Eton, UK
2003 — Marc Van Meensel Gallery, Zelem-Halen, Belgium
2002 — Gertsev Gallery, Moscow, Russia
2002 — Gallery Espace Blanche, Brussels, Belgium
1998 — Gertsev Gallery, Moscow, Russia
1998 — Gallery d’Haudrecy, Knokke-Zoute, Belgium
1997 — Bibliothek, Künstlerhaus Boswil, Switzerland
1997 — Семь Я, KulturKontakt, Vienna, Austria
1992 — The National Art Museum of Belarus, Minsk, Belarus
2024 — Розово, Kapana Gallery, Plovdiv, Bulgaria
2023 — After the War, Week of Contemporary Art, Plovdiv, Bulgaria
2022 — Concrete Trampoline, Marina Gisich Projects, Saint Petersburg, Russia
2022 — Secondary Archive on Manifesta 14: Good as Hell: Voicing Resistance, National Gallery of Kosovo, Prishtina, Kosovo
2019 — Big Family of Tea Fungus Kombucha-Dostoevsky, OK16, Minsk, Belarus
2016 — Все было по-другому, National Centre for Contemporary Arts of the Republic of Belarus, Minsk, Belarus
2012 — Food for Thought, Zedes Gallery, Brussels, Belgium
2004 — 51st Venice Biennale, Venice, Italy
2003 — Art from Minsk, Kunsthal Hof-88, Almelo, The Netherlands
2000 — New Art of Belarus, Centre for Contemporary Art “Zamek Ujazdowski”, Warsaw, Poland
1999 — Communication Front, Plovdiv, Bulgaria
1996 — Bel-Art-Transit, Central House of Artists, Moscow, Russia
1995 — On the Gallery, The National Art Museum of Belarus, Minsk, Belarus
1994 — Artists from Minsk, Bonn, Germany
1994 — 7 Artists from Belarus, Bratislava and Nitra, Slovakia
1994 — Belarusian Painting, Central House of Artists, Moscow, Russia
1992 — Lessons of Bad Art, Art Palace, Minsk, Belarus
Zaloznaya’s practice is rooted in the relationship between surface and feeling. Rather than treating the artwork as a static image, she approaches it as a space where colour, gesture, and form can hold emotional charge. The result is a body of work that feels open, nuanced, and quietly immersive.
Her visual thinking often balances clarity with ambiguity. This gives her works a contemplative quality: they do not simply describe a subject, but create an atmosphere around it.
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